The new Cultural Center and Library of Legnano is located on the edge of the Falcone Borsellino Public Park, bordering the urbanized fabric, located to the northwest, within the former industrial area "Cantoni". The Legnano library, because of the formal characteristics that define it and the location in which it is located, is identified as an urban building, at the same time as a pavilion of the park itself.Towards the park, the building builds its limits and gives it a new identity. It defines itself towards the park, as a counterpoint to the city front, an open, light and immaterial architecture, reflecting the park and making it its own at the same time.The interior space synthesizes the volumetric, structural and distributive components, proposing a spatial sequence that allows users to have an overview of the interior even though it is functionally divided.This synthesis takes place through four elements: the compact form, the division of the space in the center through the connecting cores and the service that become structural elements, the double height of the space after the entrance that allows a transversal look and finally the glazed courtyard system that shapes the spaces allowing visual continuity despite the functional division.

The project is drawn up as large outlook onto the campus, and the whole organization and arrangement of uses are indebted to this idea. The users will be able to enjoy views of the campus and its buildings from this raised platform containing the swimming pools.The access to the pool through the most elevated area allows to accommodate the main functions in a single floor. The complementary ones – dressing rooms and sanitation services - are organized following an L-shape. All of them within an itinerary conceived in material terms as a slightly opaque one, defined by the smaller scale of the uses therein contained. Embraced by these are the poolside spaces, glazed and open onto the campus, “floating” beyond the structural and functional limits imposed. The ends of this platform, whose interior contains areas for resting after exercise, are cantilevering volumes (spanning approximately eight meters) that seem to escape the base anchored to the ground so that the users may feel as if they were flying.This light platform of water that hovers over its surroundings contrasts with its strong, solid granite base. This base endows the swimming pools with facades, aside from accommodating the systems and other necessary services. From the exterior, it is perceived not only as the facade of the building, but as a pre-existing base of topographical nature that is anchored to the subsoil, so defining the raised outlook character of the public level. The other central argument of the project is the roof. The large outlook has a clear, powerful and attractive roof, of large spans and an internal geometry in accordance with the existing deep beams. A roof that allows to generate rich spaces and light nuances – the roof has a skylight – that enhance the overall image of the complex. During the project design a special attention was paid to the water space that was to be generated, it had to be efficient but also appealing and sensual. In this sense the roof plays an essential role.

The project is located in front of the University Hospital of the University of Navarra, separated by a road with a lot of traffic and in an area that is elevated with respect to the remaining campus, which looks southwards. From this spot one can see almost the entire complex.The program includes offices for three different departments that are part of the University but function autonomously, and that attend frequent visits from students but also from people not connected to the University (hospital clients, for instance). The size of the plot encouraged to design a linear building. In the interior, the three departments are structured as independently built “volumes” articulated by double-height landscaped spaces that perform as access and information areas. The facade is glazed, but it tries to gather certain “materiality” with the construction of a wooden framework that gives the enclosure a certain “body”. To muffle the noise from the nearby road and reduce the level of warming of the south facade, the wooden facade is covered with one of glass, so generating a space that helps to control temperature. The desired result is a rational building representative of the values of “modernity” and “efficiency” that the University stands for.

The proposal for the Center for New Technologies of Santiago de Compostela is based on two essential ideas. The first one springs from the conception of the place and its process of topographic adaptation, and the second entails a sense of efficiency. Efficiency having to do in this case both with the speed in which the project must be executed and with the fact, strictly functional, that the resulting building may need to undergo variations in program over the years.The building is laid out in two parallel pieces separated by a large glazed courtyard. The first piece rests on the higher and narrower area of the site, and contains the access as well as all the uses which may be considered ‘complementary’ to the academic and other general activities of the building (control, administration, services and systems); and the second piece goes up on the lower area of the terrain, oriented towards the south, orderly and smoothly gathering all the classrooms and workshops in such a way that these can be subdivided or brought together in accordance with the different needs and circumstances. Both pieces are connected by a series of bridges, more or less wide, which hover above a landscaped surface full of trees. A wider piece (supported off by the two prisms and located next to the entry to provide direct access from the exterior) contains the assembly hall. The cafeteria and library take up a relevant position in the upper part of the building with panoramic views onto the horizon and the buildings that surround the church of Santa Mercé.The surrounding terrain thereby manages to sneak into the building in the form of a garden, structuring the construction as a sequence of volumes adapted to the topography where the rich and textured granite walls, retaining and enclosure walls, shall engage in dialogue establishing a contrast with the smooth walls clad in marine aluminum sheet treated with sand and glass blasting, the two materials that define the final appearance of the building. The adopted solution is also expressed through a logical construction system. The tight construction deadlines suggested developing a system of structures based on prefabricated concrete and light and dry construction. Considering the assigned uses, and their foreseeable variation, the systems are mainly exposed.

To locate the Industrialization and Construction Robotics National Center, the refurbishment of two existing buildings in Pamplona has been planned. Located in a strategic place in terms of urban and interurban connections, near the Public University of Navarra and right in front of the future Circular City and Technological Pole of Navarra.The need to have two areas that make up the entire Institute and that must function in a related way and with permanent functional and strategic dependence, as well as the fact that the spaces must be as adaptable as possible, is perfectly adapted to the idea of using two warehouses such as those that are the object of this architectural project. On the one hand, the need to execute a rehabilitation project is in line with the general spirit of the project, but what is most interesting is that the layout of the two adjacent buildings is perfectly adapted to the functional structure derived from the project's program.